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Index
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp 279-288
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9 - Three Journeys, Two Paths: Locating the Lyric and Dramatic in Elgar’s Sea Pictures
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp 179-204
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The Sea as Geography
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp 9-10
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Acknowledgements
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- The Sea in the British Musical Imagination
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- 12 June 2021
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- 17 December 2015, pp xviii-xviii
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Musical Examples
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- The Sea in the British Musical Imagination
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- 12 June 2021
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- 17 December 2015, pp xi-xiv
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Contents
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp vii-viii
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Tables and Illustrations
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp ix-x
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Frontmatter
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp i-iv
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The Sea in the British Musical Imagination
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- 17 December 2015
Dedication
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp v-vi
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The Sea as Profession
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp 81-82
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The Sea as Metaphor
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp 177-178
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Contributors
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- The Sea in the British Musical Imagination
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- 17 December 2015, pp xv-xvii
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Michael Allis, British Music and Literary Context: Artistic Connections in the Long Nineteenth Century (Woodbridge: The Boydell Press, 2012). xii + 320 pp. £60.00
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- Nineteenth-Century Music Review / Volume 12 / Issue 1 / June 2015
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- 17 June 2015, pp. 119-122
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John Bull, Angelica Catalani and Middle-Class Taste at the 1820s British Musical Festival
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- Nineteenth-Century Music Review / Volume 11 / Issue 1 / June 2014
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- 05 August 2014, pp. 3-31
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6 - ‘An Englishman and a democrat’: Vaughan Williams, large choral works, and the British festival tradition
- from Part II - Works by genre
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- The Cambridge Companion to Vaughan Williams
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- 05 December 2013
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- 14 November 2013, pp 121-135
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Contributors
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- The Cambridge Companion to Vaughan Williams
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- 05 December 2013
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- 14 November 2013, pp x-xii
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Nicholas Temperley and Yunchung Yang, eds. Lectures on Musical Life: William Sterndale Bennett. Woodbridge, Suffolk: Boydell Press, 2006. Pp. x+182. $80.00 (cloth). - Rachel Cowgill and Julian Rushton, eds. Europe, Empire, and Spectacle in Nineteenth-Century British Music. Aldershot: Ashgate, 2006. Pp. xvi+299. $99.95 (cloth).
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- Journal of British Studies / Volume 46 / Issue 4 / October 2007
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- 21 December 2012, pp. 977-979
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- October 2007
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J. P. E. Harper-Scott. Edward Elgar, Modernist. Cambridge: Cambridge University Press, 2006. Pp. xiii+255. $90.00 (cloth).
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- Journal of British Studies / Volume 46 / Issue 3 / July 2007
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- 21 December 2012, pp. 720-722
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- July 2007
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16 - Functional music: imperialism, the Great War, and Elgar as popular composer
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- The Cambridge Companion to Elgar
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- 28 September 2011
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- 06 January 2005, pp 214-224
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